1
00:00:10,493 --> 00:00:12,598
QUIGLEY: Hey, watch the ears!

2
00:00:12,633 --> 00:00:14,876
Watch the ears,
 they're high tech,

3
00:00:14,911 --> 00:00:17,638
very expensive, worth millions.

4
00:00:17,672 --> 00:00:20,054
I can't hear my messages
without these ears.

5
00:00:21,573 --> 00:00:23,195
CALLISTA: It's time to go into
 the little room now,

6
00:00:23,230 --> 00:00:24,472
Mr. Quigley.

7
00:00:24,507 --> 00:00:25,439
TRAVIS: No one will touch
 your ears

8
00:00:25,473 --> 00:00:26,888
in the little room, Mr. Quigley.

9
00:00:26,923 --> 00:00:28,856
QUIGLEY: I don't want to go
 into the little room.

10
00:00:32,101 --> 00:00:32,791
[Gate Clanking]

11
00:00:32,825 --> 00:00:34,827
QUIGLEY: No, no, no, no.

12
00:00:35,932 --> 00:00:37,175
This is not good,
 this is bad,

13
00:00:37,209 --> 00:00:38,728
this is very, very bad.

14
00:00:38,762 --> 00:00:41,179
The bars are interfering with
my ear's receptions.

15
00:00:41,213 --> 00:00:42,801
How will I get my messages?

16
00:00:42,835 --> 00:00:44,492
TRAVIS: Tune them into one
 of your fillings.

17
00:00:44,527 --> 00:00:48,600
QUIGLEY: That doesn't work,
 don't you know anything?

18
00:00:48,634 --> 00:00:50,222
Shhhh.

19
00:00:50,257 --> 00:00:51,499
CALLISTA: What now?

20
00:00:51,534 --> 00:00:53,087
QUIGLEY: I hear them.

21
00:00:54,675 --> 00:00:56,711
They say they're coming for me.

22
00:00:56,746 --> 00:00:58,334
TRAVIS: Who's coming for you?

23
00:00:58,368 --> 00:00:59,852
QUIGLEY: My fellow quantum
 mechanics

24
00:00:59,887 --> 00:01:02,096
at the Quantum Federation.

25
00:01:02,131 --> 00:01:03,925
CALLISTA: Yeah, well,
 tell them to meet you

26
00:01:03,960 --> 00:01:05,617
at Neuro Correctional
 in Ganymede.

27
00:01:05,651 --> 00:01:06,859
[Gasping]

28
00:01:06,894 --> 00:01:09,103
CALLISTA: No wait,
 I'm getting a message too.

29
00:01:09,138 --> 00:01:10,449
QUIGLEY: You are?

30
00:01:10,484 --> 00:01:13,142
CALLISTA: It says shut up before
I box your ears in.

31
00:01:13,901 --> 00:01:15,627
QUIGLEY: I never got
 that message.

32
00:01:16,800 --> 00:01:18,630
TRAVIS: Forget it.
 CALLISTA: Forget it.

33
00:01:18,664 --> 00:01:20,666
[Ship Jolts]
 [Metal Clattering]

34
00:01:21,943 --> 00:01:23,704
[Quigley Yelps]

35
00:01:25,292 --> 00:01:26,534
CALLISTA: What's going on?

36
00:01:26,569 --> 00:01:27,880
[Loud Bang]

37
00:01:27,915 --> 00:01:29,537
TRAVIS: Percy,
 what's happening up there?

38
00:01:29,572 --> 00:01:32,437
PERCY: An unidentified craft
 on an intercept course.

39
00:01:32,471 --> 00:01:35,440
Didn't respond to my hail,
 so I fired a warning shot.

40
00:01:35,474 --> 00:01:37,407
You know the rest.

41
00:01:37,442 --> 00:01:39,202
TRAVIS: Okay then,
 fire counter measures.

42
00:01:39,237 --> 00:01:40,962
And keep hailing them,
we're on our way.

43
00:01:40,997 --> 00:01:42,895
QUIGLEY: They're coming for me!

44
00:01:42,930 --> 00:01:44,621
[Quigley Laughing]

45
00:01:44,656 --> 00:01:45,898
CALLISTA: You don't think?

46
00:01:46,899 --> 00:01:49,178
[Laughing]

47
00:01:58,532 --> 00:02:01,604
[Rapid Gun Firing]
[Spaceship Speeding By]

48
00:02:02,881 --> 00:02:04,538
PERCY: Carr,
 target their reactor core.

49
00:02:04,572 --> 00:02:05,746
CARAVAGGIO: Targeting.

50
00:02:05,780 --> 00:02:06,678
TRAVIS: Whoa, whoa,
belay that order, Carr.

51
00:02:06,712 --> 00:02:07,782
CARAVAGGIO: Order belayed.

52
00:02:07,817 --> 00:02:08,611
TRAVIS: We don't want to
destroy them.

53
00:02:08,645 --> 00:02:09,646
PERCY: They started it.

54
00:02:09,681 --> 00:02:10,854
TRAVIS: Why would they
 do that?

55
00:02:10,889 --> 00:02:11,648
CALLISTA: Look at the size of
 that ship,

56
00:02:11,683 --> 00:02:12,856
it's barely a shuttle.

57
00:02:12,891 --> 00:02:14,858
Something's not right.

58
00:02:14,893 --> 00:02:17,413
PERCY: They're not responding
 to our hails.

59
00:02:17,447 --> 00:02:18,724
TRAVIS: Well,
maybe they can't answer.

60
00:02:18,759 --> 00:02:20,657
Car, lock into their commaray
 and boost again.

61
00:02:20,692 --> 00:02:21,865
CARAVAGGIO: Acknowledged.

62
00:02:21,900 --> 00:02:23,867
Incoming transmission.

63
00:02:24,903 --> 00:02:25,938
TRAVIS: Put it through.

64
00:02:25,973 --> 00:02:27,147
CARAVAGGIO: Of course.

65
00:02:27,181 --> 00:02:32,255
MAX: Tulip, we come in peace,
 stop firing, for Pete sake.

66
00:02:33,360 --> 00:02:37,536
Our life support is out,
com system failing.

67
00:02:37,571 --> 00:02:39,987
Our missiles were
 firing randomly

68
00:02:40,021 --> 00:02:41,920
until they drained themselves,

69
00:02:41,954 --> 00:02:46,959
our crew is half dead,
 you get my drift?

70
00:02:48,547 --> 00:02:51,447
PERCY: We get your drift,
Max Fairley.

71
00:02:52,586 --> 00:02:55,002
MAX: Percy Montana.

72
00:02:56,348 --> 00:02:59,869
You haven't aged a minute
 my dear.

73
00:02:59,903 --> 00:03:01,042
PERCY: If it's all the same
 to everyone,

74
00:03:01,077 --> 00:03:02,734
I'm just gonna start shooting
 at him again.

75
00:03:02,768 --> 00:03:03,769
MAX: Percy, wait!

76
00:03:03,804 --> 00:03:07,670
I've changed, reformed,
turned over a new leaf.

77
00:03:07,704 --> 00:03:11,812
Besides, we have a
 ship-wide system failure.

78
00:03:11,846 --> 00:03:13,296
PERCY: Car, arm torpedoes.

79
00:03:13,331 --> 00:03:14,815
CARAVAGGIO: Torpedoes armed.

80
00:03:14,849 --> 00:03:16,644
TRAVIS: Hold on Car,
 Percy who is this guy?

81
00:03:16,679 --> 00:03:18,853
PERCY: He's an ass--
 MAX: I'm...

82
00:03:18,888 --> 00:03:22,409
An old friend with
 much to apologize for.

83
00:03:22,443 --> 00:03:25,895
If I don't suffocate first.

84
00:03:27,345 --> 00:03:30,865
Let me come aboard
 and prove my good intentions

85
00:03:30,900 --> 00:03:33,627
and, I'll let you in on
a little secret

86
00:03:33,661 --> 00:03:36,664
that'll make us all rich!

87
00:03:38,459 --> 00:03:40,461
[Opening Theme Music]

88
00:04:53,120 --> 00:04:54,915
[Ship Engines Whirring]

89
00:04:58,884 --> 00:05:00,092
PERCY: The guy is a snake.

90
00:05:00,127 --> 00:05:01,542
RUDOLPHO: Definitely,

91
00:05:01,577 --> 00:05:03,441
but we should be willing to
 entertain

92
00:05:03,475 --> 00:05:04,890
the notion of unbridled wealth.

93
00:05:04,925 --> 00:05:06,858
PERCY: Oh, like you did the time
you tried to

94
00:05:06,892 --> 00:05:08,894
sell him the Tulip to use as
 a floating prison?

95
00:05:08,929 --> 00:05:10,448
TRAVIS: You never
 mentioned that.

96
00:05:10,482 --> 00:05:12,553
PERCY: Totally screwing Dante
 and me in the process.

97
00:05:12,588 --> 00:05:15,453
RUDOLPHO: I had serious
cash flow problems,

98
00:05:15,487 --> 00:05:17,558
he put the screws
 on me!

99
00:05:17,593 --> 00:05:19,526
I think some sweet revenge
 is in order.

100
00:05:19,560 --> 00:05:22,080
Find out what he's playing at,
 take it from him.

101
00:05:22,114 --> 00:05:24,116
PERCY: Hey, hey, hey, stop.

102
00:05:24,151 --> 00:05:26,636
I see where this is going
 and I'm getting really tired

103
00:05:26,671 --> 00:05:28,845
of being outvoted on
 my own ship.

104
00:05:28,880 --> 00:05:29,881
The guy is a worm.

105
00:05:29,915 --> 00:05:31,123
TRAVIS: Thought he was a snake.

106
00:05:31,158 --> 00:05:32,884
[Snickering]

107
00:05:32,918 --> 00:05:35,645
PERCY: Whatever, fine.

108
00:05:35,680 --> 00:05:37,095
TRAVIS: Feel better?
 PERCY: No.

109
00:05:37,129 --> 00:05:38,545
TRAVIS: Look, I got it,
the guy is a worm.

110
00:05:38,579 --> 00:05:39,891
PERCY: He's a snake.

111
00:05:39,925 --> 00:05:41,755
TRAVIS: Okay, some kind of
 slimy, crawly thing.

112
00:05:41,789 --> 00:05:43,515
So we'll be careful.

113
00:05:43,550 --> 00:05:44,896
PERCY: Don't say
 I didn't warn you.

114
00:05:44,930 --> 00:05:46,932
TRAVIS: Now do you feel better?

115
00:05:46,967 --> 00:05:48,175
PERCY: I hate them all.

116
00:05:49,590 --> 00:05:51,040
[Mysterious Music]

117
00:05:52,041 --> 00:05:54,181
MAX: Good lord, Rudolpho?

118
00:05:54,215 --> 00:05:56,563
RUDOLPHO: Max, surprised to see
me?

119
00:05:56,597 --> 00:06:00,912
MAX: Surprised somewhat,
but overjoyed Rudolpho.

120
00:06:00,946 --> 00:06:02,189
Overjoyed.

121
00:06:03,052 --> 00:06:07,884
And Percy, my dear girl.

122
00:06:07,919 --> 00:06:08,954
PERCY: Uh-uh.

123
00:06:08,989 --> 00:06:11,957
MAX: Oh, so many fences to mend.

124
00:06:11,992 --> 00:06:13,890
TRAVIS: So, you've recovered
 nicely

125
00:06:13,925 --> 00:06:15,754
from your near death experience.

126
00:06:15,789 --> 00:06:17,929
MAX: And you must be the
new captain.

127
00:06:17,963 --> 00:06:20,449
TRAVIS: So we got the highlights
of your last visit,

128
00:06:20,483 --> 00:06:22,002
Mr. Fairley.

129
00:06:22,036 --> 00:06:23,003
You're welcome here,

130
00:06:23,037 --> 00:06:25,005
but consider yourself on notice.

131
00:06:25,039 --> 00:06:27,110
MAX: Fair enough my boy,
fair enough.

132
00:06:27,145 --> 00:06:29,975
Captain,
may I introduce my crew?

133
00:06:30,010 --> 00:06:32,944
Mina Zums
 and Dr. David Dumont.

134
00:06:32,978 --> 00:06:36,637
Mina is head of exploration for
my mining company.

135
00:06:36,672 --> 00:06:38,536
Supermax Exploraco.

136
00:06:38,570 --> 00:06:39,985
MINA: It's a mouthful, I know.

137
00:06:40,020 --> 00:06:40,952
RUDOLPHO: It certainly is.

138
00:06:40,986 --> 00:06:44,093
MAX: Dumont is head of research
and science.

139
00:06:44,127 --> 00:06:46,682
Spelunking astroids and such.

140
00:06:46,716 --> 00:06:47,959
And...

141
00:06:48,925 --> 00:06:50,996
...What beauty is this?

142
00:06:51,031 --> 00:06:52,170
CALLISTA: Callie Larkadia.

143
00:06:52,204 --> 00:06:53,930
DAVID: Of the Mars Larkadias?

144
00:06:53,965 --> 00:06:55,484
CALLISTA: Yes.

145
00:06:55,518 --> 00:06:56,933
DAVID: Dr. David Dumont.

146
00:06:56,968 --> 00:06:58,866
CALLISTA: Of the Mars Dumonts?

147
00:06:58,901 --> 00:06:59,902
DAVID: Yes.

148
00:07:10,706 --> 00:07:11,879
[Spaceship Humming]

149
00:07:11,914 --> 00:07:13,087
TRAVIS [O.C]: We're on our way
 to Ganymede.

150
00:07:13,122 --> 00:07:14,744
MAX: What splendid luck,
so were we.

151
00:07:14,779 --> 00:07:15,987
Dropping off a bounty head?

152
00:07:16,021 --> 00:07:17,160
TRAVIS: That's right.

153
00:07:17,195 --> 00:07:18,541
MAX: Barely pays the bills,
 I bet.

154
00:07:18,576 --> 00:07:20,232
Oh, the plight of the
 working poor.

155
00:07:20,267 --> 00:07:21,855
TRAVIS: Oh, we get by.

156
00:07:21,889 --> 00:07:24,513
MAX: Don't you get depressed
 spending your life here?

157
00:07:24,547 --> 00:07:26,860
Once the finest luxury
liner in existence,

158
00:07:26,894 --> 00:07:30,864
now reduced to a mockery
of its former glory.

159
00:07:30,898 --> 00:07:32,003
TRAVIS: No.

160
00:07:32,037 --> 00:07:33,522
DAVID: What about you,
 Ms. Larkadia?

161
00:07:33,556 --> 00:07:34,902
You had a taste of the
 good life, don't you miss it?

162
00:07:34,937 --> 00:07:36,904
CALLISTA: Not really,
 what's it to you if I did?

163
00:07:36,939 --> 00:07:39,320
MAX: Let them in on our little
 treasure,

164
00:07:39,355 --> 00:07:40,908
if you would doctor.

165
00:07:43,255 --> 00:07:45,188
CALLISTA: What is it?

166
00:07:45,223 --> 00:07:46,983
DAVID: Onmium.

167
00:07:47,950 --> 00:07:51,505
MAX: Value off the bloody scale.

168
00:07:52,920 --> 00:07:56,993
One ounce of onmium is worth
 a thousand diamond mines.

169
00:07:57,994 --> 00:07:59,962
TRAVIS: And why are you
telling us?

170
00:07:59,996 --> 00:08:01,653
MAX: You saved our lives,
it's only fair

171
00:08:01,688 --> 00:08:03,931
we share the wealth with you.

172
00:08:03,966 --> 00:08:05,519
Please, rest assured,

173
00:08:05,554 --> 00:08:08,004
I'm not the person
 Percy says I am.

174
00:08:08,039 --> 00:08:09,592
I've changed.

175
00:08:09,627 --> 00:08:12,112
PERCY: Turn it off,
 I'm sick of his voice already.

176
00:08:12,146 --> 00:08:13,320
CARAVAGGIO: As you wish.

177
00:08:13,354 --> 00:08:16,254
MAX: You must understand
that captain.

178
00:08:17,048 --> 00:08:18,049
TRAVIS: Of course.

179
00:08:22,053 --> 00:08:23,951
PERCY: Can you believe that
 crap?

180
00:08:23,986 --> 00:08:26,229
RUDOLPHO: Max Fairley reformed?

181
00:08:26,264 --> 00:08:28,680
PERCY: He's got some
 slimy angle.

182
00:08:28,715 --> 00:08:30,717
RUDOLPHO: Yeah,
 we need a better one,

183
00:08:30,751 --> 00:08:31,959
turn it back on him.

184
00:08:31,994 --> 00:08:32,788
Carravaggio,

185
00:08:32,822 --> 00:08:34,375
where's that background
I asked for?

186
00:08:34,410 --> 00:08:38,932
CARAVAGGIO: Supermax Exploraco
 Industries, founded 2287.

187
00:08:40,347 --> 00:08:42,970
Operations include mining,
 refining, excavations

188
00:08:43,005 --> 00:08:45,904
and more recently they have
 expanded into philanthropy.

189
00:08:45,939 --> 00:08:47,872
Funding various charities.

190
00:08:47,906 --> 00:08:49,114
PERCY: Charities, are you sure?

191
00:08:49,149 --> 00:08:50,875
CARAVAGGIO: I would not
mislead you.

192
00:08:50,909 --> 00:08:52,670
PERCY: Alright, any arrests?

193
00:08:52,704 --> 00:08:53,912
CARAVAGGIO: None.

194
00:08:53,947 --> 00:08:55,258
MARCUS: It sounds like he
 checks out, Percy.

195
00:08:55,293 --> 00:08:57,709
Maybe he's onto something.

196
00:08:57,744 --> 00:08:59,987
PERCY: What about this
 onmium stuff?

197
00:09:00,022 --> 00:09:01,748
Anyone heard of it?

198
00:09:02,783 --> 00:09:04,060
MARCUS: Carravaggio?

199
00:09:04,095 --> 00:09:06,131
CARAVAGGIO: I have no
 information about onmium.

200
00:09:06,166 --> 00:09:07,581
PERCY: Wow.

201
00:09:07,616 --> 00:09:08,927
CARAVAGGIO: Which is not to say
it does not exist.

202
00:09:08,962 --> 00:09:12,344
After all, Mr. Fairly did say
 it was extremely rare.

203
00:09:12,379 --> 00:09:15,658
I will search the
 planetary databases.

204
00:09:15,693 --> 00:09:18,005
MARCUS: We should check it out
 at least.

205
00:09:19,351 --> 00:09:20,939
PERCY: I'm going to go
 feed the prisoner.

206
00:09:20,974 --> 00:09:22,976
I need to talk to a sane person.

207
00:09:24,080 --> 00:09:26,013
[Scoffs]
 MARCUS: That prisoner's crazy.

208
00:09:26,048 --> 00:09:27,049
PERCY: Yes.

209
00:09:29,707 --> 00:09:31,709
MARCUS: What if she's right
 about Max?

210
00:09:32,951 --> 00:09:36,299
RUDOLPHO: And what if Max is
 right about the onmium?

211
00:09:38,647 --> 00:09:41,339
MAX: I believe your Ms. Larkadia
was

212
00:09:41,373 --> 00:09:44,031
quite taken with Dr. Dumont.

213
00:09:44,066 --> 00:09:45,067
TRAVIS: Really?

214
00:09:45,101 --> 00:09:46,827
Can we save the small talk?

215
00:09:46,862 --> 00:09:49,140
I'm still trying to get my head
around your generous offer.

216
00:09:49,174 --> 00:09:51,314
MAX: What's not to understand?

217
00:09:51,349 --> 00:09:55,664
25 percent of the onmium mine
 operation in your pockets.

218
00:09:55,698 --> 00:09:57,113
Free and clear.

219
00:09:57,148 --> 00:09:58,114
TRAVIS: For dropping you off?

220
00:09:58,149 --> 00:10:00,358
MAX: And for saving our lives,

221
00:10:00,392 --> 00:10:02,947
that's worth quite
 a lot in my opinion.

222
00:10:02,981 --> 00:10:06,329
It's like I've said,
 I've reformed.

223
00:10:06,364 --> 00:10:10,195
MINA: It was our destiny to be
 brought together, Mr. Montana.

224
00:10:10,230 --> 00:10:12,888
And it's our destiny
 to get lucky.

225
00:10:12,922 --> 00:10:15,269
Oh, that didn't sound right,
 did it?

226
00:10:15,304 --> 00:10:16,857
TRAVIS: No.

227
00:10:16,892 --> 00:10:18,687
Your quarters are just down the
hall, if you'll follow me.

228
00:10:18,721 --> 00:10:21,344
[Max Stammers]
 MAX: No, no need for that.

229
00:10:21,379 --> 00:10:23,070
This'll do nicely for us both.

230
00:10:23,105 --> 00:10:25,003
Lot of work to catch up on,
 you know?

231
00:10:25,038 --> 00:10:27,937
MINA: Yes, Max is all business.

232
00:10:27,972 --> 00:10:29,042
TRAVIS: I'm sure.

233
00:10:29,076 --> 00:10:31,423
MAX: I have a terrific idea.

234
00:10:31,458 --> 00:10:34,012
I recall a captain's table in a

235
00:10:34,047 --> 00:10:36,359
wonderful dining room onboard.

236
00:10:36,394 --> 00:10:38,430
Why don't we celebrate
 our good fortune

237
00:10:38,465 --> 00:10:41,433
in the grand old style of the
Tulip's glorious past

238
00:10:41,468 --> 00:10:42,676
and have dinner there?

239
00:10:42,711 --> 00:10:44,126
TRAVIS: What an excellent idea.

240
00:10:44,160 --> 00:10:45,679
MAX: No need to put yourself
 out.

241
00:10:45,714 --> 00:10:47,405
Simple food, humbly prepared
 will always suffice.

242
00:10:47,439 --> 00:10:49,994
TRAVIS: No, no, no, maybe we can
lay our hands on some wine.

243
00:10:50,028 --> 00:10:51,789
In vino veritas, as they say.

244
00:10:51,823 --> 00:10:53,031
[Max Chuckling]

245
00:10:53,066 --> 00:10:54,101
TRAVIS: Dinner at eight then?

246
00:10:54,136 --> 00:10:55,965
MAX: Marvelous.
 TRAVIS: Splendid.

247
00:11:00,936 --> 00:11:01,902
QUIGLEY [O.C]: Can you hear me?

248
00:11:01,937 --> 00:11:03,179
Hey, come in!

249
00:11:03,973 --> 00:11:05,216
Come in, dammit!

250
00:11:06,942 --> 00:11:11,947
Roger, voodoo, x-ray,
 delta, copy, over!

251
00:11:13,051 --> 00:11:16,054
Salam, bonjour,
[Door Opening]

252
00:11:16,089 --> 00:11:17,469
konichiwa!

253
00:11:17,504 --> 00:11:19,057
PERCY: Konichiwa!

254
00:11:19,782 --> 00:11:20,783
QUIGLEY: Hello.

255
00:11:21,991 --> 00:11:22,992
PERCY: Food.

256
00:11:25,443 --> 00:11:26,444
QUIGLEY: Food.

257
00:11:27,376 --> 00:11:28,964
I don't like food.

258
00:11:30,379 --> 00:11:32,381
Makes me wheeze like a dog.

259
00:11:33,278 --> 00:11:34,176
PERCY: I'm sorry,

260
00:11:34,210 --> 00:11:36,454
but, by law I have to feed you.

261
00:11:36,488 --> 00:11:37,835
Otherwise I wouldn't--

262
00:11:37,869 --> 00:11:40,458
QUIGLEY: Dogs have
 really good hearing.

263
00:11:40,492 --> 00:11:43,288
I wish I was a dog,

264
00:11:43,323 --> 00:11:46,326
I could hear all the messages
 being sent to me.

265
00:11:47,603 --> 00:11:50,917
Who's sending you to
Neuro Correctional in Ganymede,

266
00:11:50,951 --> 00:11:51,918
is that right?

267
00:11:51,952 --> 00:11:52,953
QUIGLEY: Yes.

268
00:11:52,988 --> 00:11:54,472
PERCY: Why?

269
00:11:54,506 --> 00:11:58,062
QUIGLEY: Well,
 they say I'm crazy.

270
00:11:58,787 --> 00:11:59,960
PERCY: They do, do they?

271
00:12:00,789 --> 00:12:01,824
QUIGLEY: Oh yes.

272
00:12:02,480 --> 00:12:03,964
Quite adamantly.

273
00:12:07,381 --> 00:12:08,382
PERCY: Hmm.

274
00:12:10,591 --> 00:12:11,731
[Groans]

275
00:12:12,455 --> 00:12:13,767
RUDOLPHO: That miss mate,

276
00:12:13,802 --> 00:12:14,561
oh her legs,
pair of legs all the way up to--

277
00:12:14,595 --> 00:12:16,528
MARCUS: Legs, did you see the--

278
00:12:18,013 --> 00:12:20,947
PERCY: So Carravaggio tells me
 we're dining with Max?

279
00:12:22,051 --> 00:12:23,259
TRAVIS: Yeah,
 why not indulge a little?

280
00:12:23,294 --> 00:12:24,571
PERCY: In dinner or Mina?

281
00:12:24,605 --> 00:12:26,366
TRAVIS [O.C]: I haven't made up
my mind yet.

282
00:12:26,400 --> 00:12:28,023
MARCUS: We're gonna get
dressed up.

283
00:12:28,057 --> 00:12:29,265
It'll be a laugh.

284
00:12:29,300 --> 00:12:30,577
PERCY: I guess you live for
 rejection,

285
00:12:30,611 --> 00:12:31,889
count me out.

286
00:12:31,923 --> 00:12:35,030
TRAVIS: Oh, come on, how can you
resist champagne and canned ham?

287
00:12:35,064 --> 00:12:38,930
PERCY: No self respecting person
would answer that question.

288
00:12:38,965 --> 00:12:41,139
Guys, the trick to
being a good con artist

289
00:12:41,174 --> 00:12:43,935
is to convince people
 they're smarter than the con.

290
00:12:43,970 --> 00:12:45,212
TRAVIS: And the trick to conning
a con artist

291
00:12:45,247 --> 00:12:47,387
is to not let on you know
 you're being conned.

292
00:12:47,421 --> 00:12:49,147
So if we're gonna find out
 what he's got going on,

293
00:12:49,182 --> 00:12:50,597
we play along.

294
00:12:51,563 --> 00:12:53,393
[Footsteps Approaching]
[Beeping]

295
00:12:57,397 --> 00:12:58,605
DAVID: I'm curious.

296
00:13:00,849 --> 00:13:04,438
What is a Larkadia doing on a
 bounty hunting ship?

297
00:13:04,473 --> 00:13:06,820
CALLISTA: Not being a Larkadia.

298
00:13:08,132 --> 00:13:09,961
DAVID: Gee, and I thought
 I was the only blue blood

299
00:13:09,996 --> 00:13:11,998
to turn his back on his family.

300
00:13:13,378 --> 00:13:15,346
I, uh, sorry if I--

301
00:13:15,380 --> 00:13:16,623
CALLISTA: You do what you
 gotta do, right?

302
00:13:16,657 --> 00:13:17,797
DAVID: Exactly.

303
00:13:18,452 --> 00:13:19,833
Any regrets?

304
00:13:19,868 --> 00:13:21,904
CALLISTA: About leaving
the fold, hardly.

305
00:13:21,939 --> 00:13:22,940
You?

306
00:13:22,974 --> 00:13:24,665
DAVID: Most days, no.

307
00:13:24,700 --> 00:13:26,219
CALLISTA: Most days?

308
00:13:26,253 --> 00:13:27,358
So why'd you do it?

309
00:13:27,392 --> 00:13:29,325
DAVID: I couldn't stand the life
or them.

310
00:13:30,499 --> 00:13:32,156
And if I hadn't escaped them,

311
00:13:32,190 --> 00:13:33,674
I wouldn't have had
 the freedom to

312
00:13:33,709 --> 00:13:37,057
sail around the solar system
looking for onmium mines.

313
00:13:37,092 --> 00:13:39,197
CALLISTA: So tell me more
 about this onmium.

314
00:13:39,232 --> 00:13:41,579
DAVID: Exciting, I've only had a
few days to study the sample.

315
00:13:41,613 --> 00:13:45,272
But it seems that the
 onmium allotrope is actually

316
00:13:45,307 --> 00:13:47,447
a septagonal carbon crystal.

317
00:13:47,481 --> 00:13:48,966
CALLISTA: Meaning?

318
00:13:49,000 --> 00:13:50,588
DAVID: Meaning it's incredibly
 beautiful,

319
00:13:50,622 --> 00:13:51,934
even under a microscope.

320
00:13:51,969 --> 00:13:54,557
CALLISTA: That's great,
but what's it good for?

321
00:13:54,592 --> 00:13:55,973
DAVID: You tell me.

322
00:13:57,250 --> 00:13:59,562
It is 100 times more beautiful
 than even the most

323
00:13:59,597 --> 00:14:02,565
celebrated diamond and a million
times more rare.

324
00:14:02,600 --> 00:14:03,981
CALLISTA: Mmm-hmm.

325
00:14:04,740 --> 00:14:06,466
So it's about money.

326
00:14:06,500 --> 00:14:08,088
DAVID: It's about beauty.

327
00:14:08,123 --> 00:14:09,469
CALLISTA: Nice answer.

328
00:14:09,503 --> 00:14:11,954
But it really is about the
 money, isn't it?

329
00:14:11,989 --> 00:14:14,957
DAVID: You are a no nonsense
 woman, Ms. Larkadia.

330
00:14:14,992 --> 00:14:16,441
CALLISTA: Thank you.

331
00:14:16,476 --> 00:14:18,029
DAVID: Make no mistake,
 this could make us very rich

332
00:14:18,064 --> 00:14:20,066
and on our own terms this time.

333
00:14:20,998 --> 00:14:22,240
CALLISTA: So you really believe
there's a

334
00:14:22,275 --> 00:14:23,966
onmium mine on Ganymede?

335
00:14:24,001 --> 00:14:26,210
DAVID: I'd stake my reputation
 on it.

336
00:14:26,244 --> 00:14:28,281
CALLISTA: You must really want
 this then.

337
00:14:28,315 --> 00:14:29,454
DAVID: In my line of work,

338
00:14:29,489 --> 00:14:31,215
this is the kind of find
that you dream of.

339
00:14:31,249 --> 00:14:33,907
Something so ancient
 and beautiful

340
00:14:33,942 --> 00:14:35,357
that no one has ever
 seen before.

341
00:14:35,391 --> 00:14:37,669
You can hold it in your hand
 and say,

342
00:14:37,704 --> 00:14:39,706
I saw this first.

343
00:14:41,397 --> 00:14:43,952
There's just no feeling in the
 world like that.

344
00:14:43,986 --> 00:14:45,988
[Beeping]

345
00:14:49,336 --> 00:14:50,959
MINA: Max, how many times are
 you going to

346
00:14:50,993 --> 00:14:52,374
read that damn diary?

347
00:14:52,408 --> 00:14:55,929
MAX: Until I figure out where
 Nora McCallum

348
00:14:55,964 --> 00:14:58,414
has stashed the necklace.

349
00:14:59,588 --> 00:15:01,935
It's all here,
but no "X" that marks the spot.

350
00:15:01,970 --> 00:15:03,316
MINA: Well,
 it better be onboard,

351
00:15:03,350 --> 00:15:04,420
like you said.

352
00:15:04,455 --> 00:15:06,940
MAX: It is,
 Nora's a crafty lady,

353
00:15:06,975 --> 00:15:09,046
but not as crafty as old Maxy,
 eh?

354
00:15:09,080 --> 00:15:12,014
What about the dining room,
 Nora?

355
00:15:12,049 --> 00:15:14,154
Is it in one of the chandeliers?

356
00:15:14,189 --> 00:15:16,501
In plain sight, eh?

357
00:15:16,536 --> 00:15:18,676
Keep your eyes open, my love.

358
00:15:18,710 --> 00:15:20,989
MINA: Why the hell was she
 so vague?

359
00:15:21,023 --> 00:15:23,370
MAX: If her mining magna
cheating husband

360
00:15:23,405 --> 00:15:24,475
found the dairy,

361
00:15:24,509 --> 00:15:25,959
that would have ruined
 everything.

362
00:15:25,994 --> 00:15:28,030
And it doesn't
 help that the Tulip

363
00:15:28,065 --> 00:15:30,446
has changed so much
 over the years.

364
00:15:30,481 --> 00:15:33,242
But she hid the necklace
somewhere onboard,

365
00:15:33,277 --> 00:15:34,968
of that I am sure.

366
00:15:35,003 --> 00:15:36,418
MINA: Well,
we better find it soon.

367
00:15:36,452 --> 00:15:39,593
This Mina Zums routine
 is getting old fast.

368
00:15:39,628 --> 00:15:42,976
Montana's no idiot and that
little witch, Percy is onto us.

369
00:15:43,011 --> 00:15:45,220
MAX: I never did trust her
 from the start.

370
00:15:45,254 --> 00:15:47,394
MINA: Well, maybe an accident
 could happen to her.

371
00:15:47,429 --> 00:15:50,052
MAX: We don't need an accident.

372
00:15:50,087 --> 00:15:52,089
[Doorbell Ringing]

373
00:15:57,128 --> 00:15:58,129
MAX: Come in.

374
00:16:01,063 --> 00:16:03,238
MINA: What about the girl?

375
00:16:03,272 --> 00:16:07,828
DAVID: The girl is liking the
good doctor very much thank you.

376
00:16:07,863 --> 00:16:10,176
MAX: Our research has paid off
 well.

377
00:16:10,210 --> 00:16:12,178
DAVID: Yes, but they're starting
to get suspicious.

378
00:16:12,212 --> 00:16:14,387
I say we jump them before
 they figure it out.

379
00:16:14,421 --> 00:16:16,182
MAX: And how are they
 going to do that?

380
00:16:16,216 --> 00:16:20,393
We stick to the program,
 win them over bit by bit,

381
00:16:20,427 --> 00:16:22,843
and you need to work on Travis.

382
00:16:22,878 --> 00:16:25,846
MINA: It's gonna be hard,
 he keeps it all bottled up.

383
00:16:25,881 --> 00:16:28,608
DAVID: Losing your touch Mina?

384
00:16:28,642 --> 00:16:31,645
MINA: Just let me have him alone
for two minutes.

385
00:16:31,680 --> 00:16:34,372
DAVID: It's nice to see someone
who takes pride in their work.

386
00:16:34,407 --> 00:16:36,823
MAX: In any event,
we need to keep them distracted.

387
00:16:36,857 --> 00:16:38,825
I'm going to search
 for the necklace,

388
00:16:38,859 --> 00:16:40,792
I don't need them in my hair.

389
00:16:40,827 --> 00:16:44,382
And if we're all in agreement,

390
00:16:44,417 --> 00:16:45,418
let's eat.

391
00:16:46,143 --> 00:16:47,558
[Atmospheric Music]

392
00:16:48,421 --> 00:16:50,871
PERCY: What's this, prom night?

393
00:16:50,906 --> 00:16:53,391
MARCUS: It's called
 sophistication, Percy.

394
00:16:53,426 --> 00:16:54,806
PERCY: Oh.

395
00:16:54,841 --> 00:16:55,600
RUDOLPHO: Does us
 all good to get gussied up

396
00:16:55,635 --> 00:16:56,636
every now and then.

397
00:16:57,878 --> 00:17:00,191
PERCY: You are such hopeless
 boy creatures.

398
00:17:00,226 --> 00:17:03,608
RUDOLPHO: Au contraire,
we are full of hope!

399
00:17:03,643 --> 00:17:06,197
Hope there's a pot of onmium at
the end of our rainbow.

400
00:17:06,232 --> 00:17:08,475
MARCUS: Carravaggio tracked
 onmium down on the databases.

401
00:17:08,510 --> 00:17:11,823
It's legit, and besides,
what's wrong with dreaming, eh?

402
00:17:11,858 --> 00:17:13,377
RUDOLPHO: Prefer to live in the
drudgery?

403
00:17:13,411 --> 00:17:14,826
MARCUS: And do tell Rudolpho,
 dearest,

404
00:17:14,861 --> 00:17:16,828
how do you plan to spend
your billions?

405
00:17:16,863 --> 00:17:19,176
RUDOLPHO: I was thinking some
 30, 40 room affair

406
00:17:19,210 --> 00:17:20,591
in the Louis countryside.

407
00:17:20,625 --> 00:17:23,525
A large waitstaff to cater to my
every conceivable whim.

408
00:17:23,559 --> 00:17:26,804
And a large harem to cater to
 my every inconceivable whim.

409
00:17:26,838 --> 00:17:28,185
[Laughing]

410
00:17:28,219 --> 00:17:29,634
RUDOLPHO: And you Marcus?

411
00:17:29,669 --> 00:17:32,189
MARCUS: All the toys money
 can buy, what else?

412
00:17:32,223 --> 00:17:33,604
Percy?

413
00:17:33,638 --> 00:17:35,606
PERCY: Oh please,
 I'm not playing.

414
00:17:35,640 --> 00:17:37,815
MARCUS: Oh, come on,
no desire to lead the good life?

415
00:17:37,849 --> 00:17:39,127
RUDOLPHO: Yeah.

416
00:17:40,128 --> 00:17:41,405
PERCY: I am living the good life
now.

417
00:17:41,439 --> 00:17:43,096
RUDOLPHO: Yeah, now that's rich.

418
00:17:43,131 --> 00:17:44,925
Look, whatever your
 reasons are for being here,

419
00:17:44,960 --> 00:17:46,858
they're your reasons,
 nobody else's.

420
00:17:46,893 --> 00:17:48,619
PERCY: Yes, I know.

421
00:17:48,653 --> 00:17:49,861
MARCUS: We're just having a bit
of fun.

422
00:17:49,896 --> 00:17:51,311
PERCY: Speaking of fun,

423
00:17:51,346 --> 00:17:52,692
I think it's time to feed
 our prisoner.

424
00:17:52,726 --> 00:17:54,245
RUDOLPHO: Oh, no you don't.

425
00:17:55,281 --> 00:17:56,799
Marcus?

426
00:17:56,834 --> 00:17:58,215
MARCUS: Watch the shirt!

427
00:17:59,906 --> 00:18:01,908
[Soft Music]

428
00:18:07,879 --> 00:18:09,226
CALLISTA: Carravaggio?

429
00:18:09,260 --> 00:18:11,124
CARAVAGGIO: My goodness,
who is that?

430
00:18:11,159 --> 00:18:15,749
Callie, I barely recognized
 you without a gun.

431
00:18:15,784 --> 00:18:18,821
CALLISTA: Still working on
 the jokes, huh Car?

432
00:18:18,856 --> 00:18:20,271
CARAVAGGIO: Sadly, yes.

433
00:18:20,306 --> 00:18:22,722
On one of my previous servile
 incarnations

434
00:18:22,756 --> 00:18:26,243
I had been programed with an
 ingratiating sense of humor.

435
00:18:26,277 --> 00:18:27,623
CALLISTA: Uh huh.

436
00:18:27,658 --> 00:18:28,969
Listen,

437
00:18:29,004 --> 00:18:31,869
what were those old days like
 aboard the Tulip?

438
00:18:31,903 --> 00:18:34,492
CARAVAGGIO: In a word,
 magnificent.

439
00:18:34,941 --> 00:18:36,460
CALLISTA: Yeah,

440
00:18:36,494 --> 00:18:38,186
there's something to be said
 for wealth, I guess.

441
00:18:38,220 --> 00:18:39,739
CARAVAGGIO: Indeed there is.

442
00:18:39,773 --> 00:18:40,947
May I ask,

443
00:18:40,981 --> 00:18:43,225
do you miss your life
of privilege?

444
00:18:43,260 --> 00:18:45,262
CALLISTA: Me, never.

445
00:18:46,918 --> 00:18:48,575
Well, almost never.

446
00:18:49,956 --> 00:18:52,338
QUIGLEY: Golden retriever to
 team leader, come in.

447
00:18:53,891 --> 00:18:57,653
Golden retriever to team leader,
come in please!

448
00:18:58,758 --> 00:19:00,725
Whoa!
 [Laughing]

449
00:19:00,760 --> 00:19:02,762
Nice suit!

450
00:19:03,763 --> 00:19:05,765
Going to a prom?
[Laughs]

451
00:19:06,628 --> 00:19:08,250
MARCUS: More swill for you.

452
00:19:09,665 --> 00:19:11,667
QUIGLEY: You think I'm crazy,
 don't you?

453
00:19:12,496 --> 00:19:13,980
MARCUS: Uh, Pretty much, yeah.

454
00:19:14,014 --> 00:19:17,811
QUIGLEY: When my friends
come to rescue me,

455
00:19:17,846 --> 00:19:20,918
you'll see just how crazy I am.

456
00:19:20,952 --> 00:19:22,506
MARCUS: I'm sure I will.

457
00:19:22,540 --> 00:19:24,335
QUIGLEY: Laugh if you like.

458
00:19:25,025 --> 00:19:25,888
MARCUS: Whatever.

459
00:19:28,374 --> 00:19:30,376
QUIGLEY: Hold on, it's them!
 [Chuckles]

460
00:19:32,895 --> 00:19:33,862
Yeah!

461
00:19:33,896 --> 00:19:35,898
Hey, come in!

462
00:19:35,933 --> 00:19:36,968
[Laughing]

463
00:19:37,003 --> 00:19:38,522
I can hear you!

464
00:19:38,556 --> 00:19:39,557
Yeah!

465
00:19:40,869 --> 00:19:43,458
Hey, enjoy the prom, dear!
 [Laughing]

466
00:19:45,977 --> 00:19:48,428
No, I wasn't talking to you.

467
00:19:48,463 --> 00:19:50,430
Yeah,

468
00:19:50,465 --> 00:19:54,054
well everything is going fine,
 as far as I know.

469
00:19:54,089 --> 00:19:57,472
Look, you just sit back,

470
00:19:57,506 --> 00:19:59,508
and you wait for my signal.

471
00:19:59,991 --> 00:20:01,993
[Soft Music]

472
00:20:03,063 --> 00:20:05,928
MAX: That was delicious,
my compliments.

473
00:20:07,344 --> 00:20:08,552
RUDOLPHO: Well,
 it's amazing what you can do

474
00:20:08,586 --> 00:20:10,554
with a can opener
 and a hot plate.

475
00:20:10,588 --> 00:20:11,865
MAX: Shame Percy couldn't
 join us.

476
00:20:11,900 --> 00:20:14,868
I was hoping the ambience might
mellow her mistrust.

477
00:20:14,903 --> 00:20:15,869
TRAVIS: It'd take more
 than that.

478
00:20:15,904 --> 00:20:17,008
Another glass?

479
00:20:17,043 --> 00:20:19,010
MAX: No, no, no, well,
 if you insist.

480
00:20:20,978 --> 00:20:23,083
I'll wager this old girl still

481
00:20:23,118 --> 00:20:25,258
has some surprises left in her?

482
00:20:26,328 --> 00:20:27,881
TRAVIS: Quite a few,
 I'd suspect.

483
00:20:29,366 --> 00:20:30,884
MINA: Whoops.

484
00:20:30,919 --> 00:20:32,921
[Soft Music Cont.]

485
00:20:34,888 --> 00:20:36,476
Whoops.

486
00:20:36,511 --> 00:20:38,306
MAX: Makes me pine for
 the good old days

487
00:20:38,340 --> 00:20:40,894
when men were men
and women were property.

488
00:20:40,929 --> 00:20:43,449
[Laughing]

489
00:20:43,483 --> 00:20:47,004
Still, they knew how to live,
 first class all the way.

490
00:20:47,038 --> 00:20:50,421
CALLISTA: Yes, well, we hardly
use these decks anymore.

491
00:20:50,456 --> 00:20:51,974
MARCUS: They're kinda creepy
 if you ask me.

492
00:20:52,009 --> 00:20:55,633
MAX: Nonsense, it's history,
 living history.

493
00:20:55,668 --> 00:20:56,979
Isn't that right doctor?

494
00:20:57,014 --> 00:20:58,395
DAVID: Hm, what?

495
00:20:58,981 --> 00:21:02,122
Oh, uh, oh yes, oh yes.

496
00:21:02,157 --> 00:21:07,300
MAX: Perhaps your Carravaggio
 has some old holo-images

497
00:21:08,439 --> 00:21:09,889
in his memory that he could
 show us.

498
00:21:09,923 --> 00:21:11,511
TRAVIS: Maybe, Car?

499
00:21:11,546 --> 00:21:14,894
CARAVAGGIO: I would love to,
 but my memory is a bit fuzzy.

500
00:21:16,896 --> 00:21:18,622
MARCUS [O.C]: Hey,
 it's ballroom dancing.

501
00:21:18,656 --> 00:21:20,762
[Classical Music]

502
00:21:20,796 --> 00:21:22,798
MARCUS [O.C]: It's beautiful.

503
00:21:25,560 --> 00:21:27,562
[Dramatic Music]

504
00:21:32,360 --> 00:21:34,362
[Snapping]

505
00:21:35,190 --> 00:21:37,330
[Classical Music]

506
00:21:39,781 --> 00:21:40,782
MAX: Dazzling.

507
00:21:42,542 --> 00:21:44,544
How marvelous they look.

508
00:21:45,925 --> 00:21:49,791
So, my soon to be
 unspeakably wealthy brethren,

509
00:21:49,825 --> 00:21:53,519
have you imagined what you'll
 be doing with your fortune?

510
00:21:53,553 --> 00:21:55,555
[Dramatic Music]

511
00:21:59,904 --> 00:22:00,974
PERCY: Mmm-Hmm

512
00:22:02,873 --> 00:22:04,426
MAX: The old ball and chain
 couldn't

513
00:22:04,461 --> 00:22:06,014
stop talking about your father.

514
00:22:06,048 --> 00:22:08,430
Dante this, Dante that.

515
00:22:08,465 --> 00:22:12,020
But the fact was,
he couldn't stand Zelda.

516
00:22:12,054 --> 00:22:13,435
And it wasn't long after
that

517
00:22:13,470 --> 00:22:17,474
that I realized the same thing.
[All Laughing]

518
00:22:17,508 --> 00:22:20,442
MAX: I am forever in your
 father's debt.

519
00:22:20,477 --> 00:22:22,479
TRAVIS: I'll be sure to tell him
next time I see him.

520
00:22:24,826 --> 00:22:25,827
PERCY: Oh.

521
00:22:28,001 --> 00:22:31,419
MAX: That diary was in my
 quarters,

522
00:22:31,453 --> 00:22:32,627
it's mine.

523
00:22:32,661 --> 00:22:33,421
You stole it!

524
00:22:33,455 --> 00:22:34,422
PERCY: Yes, I did.

525
00:22:34,456 --> 00:22:35,595
It's very interesting,

526
00:22:35,630 --> 00:22:37,597
shall I read the underlined
 parts?

527
00:22:38,046 --> 00:22:41,152
MAX: I, I, I--

528
00:22:41,187 --> 00:22:42,706
PERCY: Lied?

529
00:22:42,740 --> 00:22:46,882
MAX: Lied about the onmium
 mine on Ganymede.

530
00:22:46,917 --> 00:22:48,884
TRAVIS: Well Max,
 you are a surprise.

531
00:22:48,919 --> 00:22:51,093
MAX: Listen,
 I lied about Ganymede

532
00:22:51,128 --> 00:22:53,095
but not about the onmium.

533
00:22:53,130 --> 00:22:55,443
[Slam]
PERCY: What is with this diary?

534
00:22:55,477 --> 00:22:56,927
TRAVIS: You better spit it out
 Max.

535
00:22:56,961 --> 00:22:58,446
MAX: No need for violence,
 Percy dear,

536
00:22:58,480 --> 00:23:00,482
I'm a man of peace.

537
00:23:02,001 --> 00:23:04,900
The diary belonged to a
 woman named Nora McCallum.

538
00:23:04,935 --> 00:23:07,455
She was a filthy rich passenger
aboard the Tulip

539
00:23:07,489 --> 00:23:08,904
100 years ago.

540
00:23:08,939 --> 00:23:11,976
In fact, she ate at this
 very table during the trip.

541
00:23:12,011 --> 00:23:14,531
Complained about
 the asparagus salad.

542
00:23:14,565 --> 00:23:17,085
Or was it the cream of celery
 soup, I'm not--

543
00:23:17,119 --> 00:23:19,087
[Sharp Thud]
 MAX: Sorry.

544
00:23:19,121 --> 00:23:22,849
Nora's husband couldn't
resist the ladies,

545
00:23:22,884 --> 00:23:25,887
so she punished him by
losing the most valuable

546
00:23:25,921 --> 00:23:27,923
object he ever gave her,

547
00:23:29,028 --> 00:23:31,099
a necklace.

548
00:23:31,133 --> 00:23:33,929
Made out of pure onmium.

549
00:23:35,897 --> 00:23:37,450
Worth billions.

550
00:23:37,485 --> 00:23:41,454
RUDOLPHO: And, where did
Ms. McCallum leave this bobble?

551
00:23:41,489 --> 00:23:43,249
MAX: Onboard the Tulip,

552
00:23:43,283 --> 00:23:46,459
it's all right here in
 the diary.

553
00:23:46,494 --> 00:23:48,116
You can read it yourselves.

554
00:23:48,150 --> 00:23:50,118
I found the diary during
my brief tenure

555
00:23:50,152 --> 00:23:52,914
as owner of the Tulip.

556
00:23:54,156 --> 00:23:57,090
And when I heard that the ship
 had emerged from hyperspace,

557
00:23:57,125 --> 00:24:00,956
I decided I might have a chance
to get the necklace.

558
00:24:00,991 --> 00:24:02,199
CALLISTA: Car,

559
00:24:02,233 --> 00:24:03,890
any Nora McCallum in your
 memory banks?

560
00:24:03,925 --> 00:24:05,513
CARAVAGGIO: I've retained
 only fragments

561
00:24:05,547 --> 00:24:07,100
of the period in question.

562
00:24:07,135 --> 00:24:08,895
A great deal of the data
has been

563
00:24:08,930 --> 00:24:11,898
degraded due to
 damage and neglect.

564
00:24:11,933 --> 00:24:13,486
TRAVIS: Sounds like your
problem, Max.

565
00:24:14,556 --> 00:24:15,868
Give it a try all the same,
 Car.

566
00:24:15,902 --> 00:24:16,903
PERCY: Try the dormant caches,

567
00:24:16,938 --> 00:24:19,319
I did some rescue work in there
a few weeks ago.

568
00:24:19,354 --> 00:24:20,907
CALLISTA: Just a guess,
but you two aren't

569
00:24:20,942 --> 00:24:23,772
exactly as advertised either,
 right?

570
00:24:23,807 --> 00:24:26,948
MAX: Mina is my mistress.

571
00:24:26,982 --> 00:24:29,329
RUDOLPHO: Max, you dog, you.

572
00:24:29,364 --> 00:24:32,160
TRAVIS: And there I was thinking
Max was all business.

573
00:24:32,194 --> 00:24:34,990
MINA: Max is very kind to me.

574
00:24:36,233 --> 00:24:38,511
MAX: David is a professor
 of history.

575
00:24:38,546 --> 00:24:40,893
DAVID: Ex professor.

576
00:24:40,927 --> 00:24:43,930
History's a bit of a dead
subject these days, I'm afraid.

577
00:24:45,725 --> 00:24:47,727
I needed a job,

578
00:24:48,348 --> 00:24:49,729
I'm sorry.

579
00:24:49,764 --> 00:24:51,041
CARAVAGGIO: Oh,
 here's something.

580
00:24:51,075 --> 00:24:54,527
Oh, now I remember her.

581
00:24:54,562 --> 00:24:55,632
What a lovely,

582
00:24:55,666 --> 00:24:58,911
yet troubled lady Ms. McCallum
 was.

583
00:24:58,945 --> 00:25:01,672
She's seated first
 to your right.

584
00:25:01,707 --> 00:25:04,710
[Orchestral Music]
 [Indistinct Chatter]

585
00:25:09,922 --> 00:25:10,923
MAN: Thank you.

586
00:25:34,602 --> 00:25:36,017
MAX: Freeze it there!

587
00:25:40,262 --> 00:25:42,679
That's the onmium necklace.

588
00:25:42,713 --> 00:25:45,785
CALLISTA: And what exactly is
 the little gem worth again?

589
00:25:45,820 --> 00:25:47,822
MAX: 10 billion.

590
00:25:48,892 --> 00:25:52,896
A small fortune,
even divided eight ways,

591
00:25:52,930 --> 00:25:55,899
which is what I intended
all along.

592
00:25:55,933 --> 00:25:57,038
Okay, that was another lie,

593
00:25:57,072 --> 00:25:58,867
but that's what I'm offering
 now.

594
00:25:58,902 --> 00:25:59,972
TRAVIS: Well Max,
that's very kind of you.

595
00:26:00,006 --> 00:26:02,146
But unfortunately,

596
00:26:02,181 --> 00:26:03,907
you're in no
 position to offer anything.

597
00:26:03,941 --> 00:26:05,322
PERCY: I say we throw them
 in the brig.

598
00:26:05,356 --> 00:26:07,773
[Baffling]
 MAX: On what charge?

599
00:26:07,807 --> 00:26:09,050
CALLISTA: He's got a point.

600
00:26:09,084 --> 00:26:10,879
TRAVIS: Then we confine him
 to quarters.

601
00:26:10,914 --> 00:26:12,018
And you'll keep a close eye
 on them, Car.

602
00:26:12,053 --> 00:26:14,055
CARAVAGGIO: Will do.
 [Beeping]

603
00:26:16,954 --> 00:26:18,922
CALLISTA: They really are
 beautiful.

604
00:26:18,956 --> 00:26:20,924
TRAVIS: Carr, can you tell us
anything more about this onmium?

605
00:26:20,958 --> 00:26:24,686
CARAVAGGIO: Yes, it appears to
 be an allotrope of carbon.

606
00:26:24,721 --> 00:26:25,894
TRAVIS: English?

607
00:26:25,929 --> 00:26:27,655
CARAVAGGIO: A structurally
 different form of an element.

608
00:26:27,689 --> 00:26:31,348
Carbon is usually found
 in three allotropic forms.

609
00:26:31,382 --> 00:26:33,661
Amorphous, graphite and diamond.

610
00:26:33,695 --> 00:26:35,663
From this sample,
 I would surmise that

611
00:26:35,697 --> 00:26:37,319
onmium is a fourth allotrope.

612
00:26:37,354 --> 00:26:38,804
[Zap]
 MARCUS: Whoa!

613
00:26:38,838 --> 00:26:39,908
TRAVIS: What happened?

614
00:26:39,943 --> 00:26:41,358
MARCUS: I don't know.

615
00:26:41,392 --> 00:26:43,118
CARAVAGGIO: It appears an
 electrostatic charge

616
00:26:43,153 --> 00:26:46,156
was generated when Marcus
 touched the proton microscope.

617
00:26:46,190 --> 00:26:48,123
Oh, this is unusual,

618
00:26:48,158 --> 00:26:50,332
something is happening to
 the crystal.

619
00:26:50,367 --> 00:26:51,989
[Crackling]
 TRAVIS: What's going on Carr?

620
00:26:52,024 --> 00:26:54,889
CARAVAGGIO: The electrostatic
charge has caused a proton leak,

621
00:26:54,923 --> 00:26:57,339
which has set off a
 sequential enriching cascade--

622
00:26:57,374 --> 00:26:58,927
CALLISTA: English Car, English.

623
00:26:58,962 --> 00:27:01,378
CARAVAGGIO: Essentially the
 leaking protons have enriched

624
00:27:01,412 --> 00:27:04,899
the onmium and set off a small
 fissile reaction.

625
00:27:04,933 --> 00:27:06,348
CALLISTA: As in nuclear fission?

626
00:27:06,383 --> 00:27:07,902
CARAVAGGIO: It is a
 similar reaction.

627
00:27:07,936 --> 00:27:09,282
One moment.

628
00:27:09,317 --> 00:27:10,939
By my calculations,

629
00:27:10,974 --> 00:27:13,804
were the onmium to be
 properly enriched,

630
00:27:13,839 --> 00:27:15,668
it would generate in the order

631
00:27:15,703 --> 00:27:17,877
of two billion electron volts.

632
00:27:17,912 --> 00:27:18,844
CALLISTA: But that's impossible.

633
00:27:18,878 --> 00:27:20,431
That would make it about
a million times more

634
00:27:20,466 --> 00:27:21,985
than a uranium based reaction.

635
00:27:22,019 --> 00:27:23,124
CARAVAGGIO: Indeed,

636
00:27:23,158 --> 00:27:25,885
it would be a very powerful
 energy source.

637
00:27:25,920 --> 00:27:27,887
TRAVIS: Powerful enough to fuel
our antimatter drive?

638
00:27:27,922 --> 00:27:28,923
CARAVAGGIO: Oh yes.

639
00:27:29,924 --> 00:27:31,304
RUDOLPHO: With the antimatter
 drive working,

640
00:27:31,339 --> 00:27:33,203
we could expand our
 territories to the far worlds.

641
00:27:33,237 --> 00:27:34,445
We could be rich.

642
00:27:34,480 --> 00:27:36,896
And Max Fairley
 won't have a clue.

643
00:27:36,931 --> 00:27:38,795
CALLISTA: Unless he knows about
onmium's potential.

644
00:27:38,829 --> 00:27:41,211
CARAVAGGIO: If I may,
 that is highly improbable.

645
00:27:41,245 --> 00:27:44,145
Onmium is very rare and
the confluence of random events

646
00:27:44,179 --> 00:27:46,803
that created the
 cascade are quite unlikely.

647
00:27:46,837 --> 00:27:48,080
TRAVIS: But not impossible.

648
00:27:48,114 --> 00:27:50,047
PERCY: Max is too stupid to
 know it's real value.

649
00:27:50,082 --> 00:27:51,186
TRAVIS: I think you're right.

650
00:27:51,221 --> 00:27:52,981
In any event, we don't let him
 know what's going on.

651
00:27:53,016 --> 00:27:54,776
MARCUS: This also means that we
are one step closer

652
00:27:54,811 --> 00:27:55,881
to hyperspace.

653
00:27:55,915 --> 00:27:56,985
PERCY [O.C]: Not this again.

654
00:27:57,020 --> 00:27:58,918
MARCUS: And finding your
Uncle Dante.

655
00:27:58,953 --> 00:28:00,299
PERCY: Or losing any chance--

656
00:28:00,333 --> 00:28:01,714
TRAVIS: I think we're getting
 ahead of ourselves.

657
00:28:01,749 --> 00:28:03,785
We don't even know
 where the necklace is.

658
00:28:03,820 --> 00:28:05,545
CALLISTA: Car,
 any idea where Nora McCallum

659
00:28:05,580 --> 00:28:06,926
went when she was aboard?

660
00:28:06,961 --> 00:28:08,928
CARR: Even with Percy's
herculean efforts

661
00:28:08,963 --> 00:28:11,966
to restore my dormant caches,
 no.

662
00:28:12,000 --> 00:28:13,346
TRAVIS: Well, we should
start with the places

663
00:28:13,381 --> 00:28:14,554
she had most likely access to.

664
00:28:14,589 --> 00:28:17,212
CALLISTA: Dining room, ballroom,
quarters.

665
00:28:22,010 --> 00:28:23,563
RUDOLPHO: Dining room?

666
00:28:23,598 --> 00:28:24,944
MARCUS: Dining room.

667
00:28:24,979 --> 00:28:26,256
CALLISTA: So, who takes whom?

668
00:28:26,290 --> 00:28:27,188
TRAVIS: You want Dave?

669
00:28:27,222 --> 00:28:28,568
CALLISTA: Not particularly.

670
00:28:28,603 --> 00:28:29,949
TRAVIS: You mad at him?

671
00:28:29,984 --> 00:28:31,571
CALLISTA: He lied to me.

672
00:28:31,606 --> 00:28:33,884
TRAVIS: Well, here's your chance
to get even.

673
00:28:33,919 --> 00:28:35,921
[Over Speaker]
 RUDOLPHO: Travis, nothing on

674
00:28:35,955 --> 00:28:37,129
first glance at the dining room.

675
00:28:37,163 --> 00:28:39,131
We're going over it again,
then heading up to the ballroom.

676
00:28:39,165 --> 00:28:40,339
TRAVIS: Good, stay in touch.

677
00:28:40,373 --> 00:28:42,824
PERCY: I'm taking Max,
 no debate please.

678
00:28:42,859 --> 00:28:44,308
TRAVIS: Wouldn't dream of it.

679
00:28:45,827 --> 00:28:49,003
CALLISTA: Which leaves you alone
with Mina.

680
00:28:49,037 --> 00:28:51,971
TRAVIS: I'll muddle through
 somehow.

681
00:28:52,006 --> 00:28:54,042
CALLISTA: I bet you will.

682
00:28:54,077 --> 00:28:56,838
QUIGLEY: Golden retriever here.

683
00:28:56,873 --> 00:28:59,323
Situation not good.

684
00:29:00,186 --> 00:29:03,086
No, confined to their quarters.

685
00:29:04,639 --> 00:29:08,056
Well,
 you just may have to do that.

686
00:29:08,091 --> 00:29:11,301
I will make my move when
the time comes.

687
00:29:12,647 --> 00:29:15,788
[Spaceship Humming]
 [Atmospheric Music]

688
00:29:17,583 --> 00:29:18,964
RUDOLPHO [O.C]: Anything?

689
00:29:18,998 --> 00:29:19,999
MARCUS: No.

690
00:29:20,897 --> 00:29:22,105
RUDOLPHO: Anything yet?

691
00:29:23,002 --> 00:29:24,935
MARCUS: No, not yet.

692
00:29:24,970 --> 00:29:26,212
RUDOLPHO: How about now?

693
00:29:28,007 --> 00:29:31,355
Listen, assuming this necklace
 hasn't been laser welded

694
00:29:31,390 --> 00:29:33,979
into a bulkhead or
 something during a refit,

695
00:29:34,013 --> 00:29:36,153
this could be the answer
to all our problems.

696
00:29:36,188 --> 00:29:38,984
MARCUS: Yeah,
well that's a big could.

697
00:29:39,018 --> 00:29:41,572
Even if we do find it,
 then we have to figure out

698
00:29:41,607 --> 00:29:43,954
how to enrich the onmium
properly.

699
00:29:43,989 --> 00:29:46,370
And then adapt it to
 fuel our antimatter drive

700
00:29:46,405 --> 00:29:47,647
and then we have to figure out

701
00:29:47,682 --> 00:29:48,959
how to manipulate the time
 space gap,

702
00:29:48,994 --> 00:29:50,478
which is gonna be hard.

703
00:29:50,512 --> 00:29:52,411
RUDOLPHO: Alright, alright,
 alright, I get your point.

704
00:29:55,069 --> 00:29:56,933
[Beeping]

705
00:29:56,967 --> 00:29:58,210
RUDOLPHO: Anything yet?

706
00:30:00,971 --> 00:30:02,662
[Beeping]

707
00:30:02,697 --> 00:30:06,943
MAX: You really don't need to
point that weapon at me, Percy.

708
00:30:06,977 --> 00:30:08,254
PERCY: I know.

709
00:30:08,289 --> 00:30:10,567
But I'm enjoying it.

710
00:30:10,601 --> 00:30:13,466
MAX: What makes you think the
 necklace is in here anyway?

711
00:30:13,501 --> 00:30:15,917
PERCY: It's gotta be somewhere.

712
00:30:15,952 --> 00:30:17,056
MAX: Right.

713
00:30:17,091 --> 00:30:21,336
Look, I think we ought to sort
 out our differences.

714
00:30:22,268 --> 00:30:23,856
PERCY: Oh yeah?

715
00:30:23,891 --> 00:30:28,550
MAX: Yes, your Uncle Dante,
 a brave and decent man.

716
00:30:29,137 --> 00:30:30,380
PERCY: Yeah.

717
00:30:30,414 --> 00:30:32,900
MAX: I truly,
truly respected him you know.

718
00:30:32,934 --> 00:30:36,489
PERCY: Yeah, well,
 he hated you.

719
00:30:36,524 --> 00:30:38,526
MAX: He never got to see
my good side.

720
00:30:40,114 --> 00:30:42,150
PERCY: I'm sure we'll all get to
see your good side

721
00:30:42,185 --> 00:30:43,289
when you find that necklace.

722
00:30:43,324 --> 00:30:45,360
DAVID: I am sorry, Ms. Larkadia.

723
00:30:45,395 --> 00:30:48,191
It was Max's idea to lie.

724
00:30:48,225 --> 00:30:50,365
He said he knew what he
was doing.

725
00:30:50,400 --> 00:30:52,920
CALLISTA: You do everything
 Max says?

726
00:30:52,954 --> 00:30:54,404
DAVID: It pays the bills.

727
00:30:55,543 --> 00:30:57,579
I'm afraid I have to be a bit of
a mercenary,

728
00:30:57,614 --> 00:30:59,271
I have no choice.

729
00:30:59,305 --> 00:31:01,031
CALLISTA: Do I look like
I'm interested?

730
00:31:01,066 --> 00:31:03,654
DAVID: Look,
I grew up without much money.

731
00:31:03,689 --> 00:31:05,691
I chose a profession that
 didn't pay.

732
00:31:05,725 --> 00:31:08,418
Essentially, I've spent my life
with my nose pressed up

733
00:31:08,452 --> 00:31:11,904
against the window, looking
 at how the other side lives.

734
00:31:11,939 --> 00:31:14,907
CALLISTA: Believe me,
 they're no happier.

735
00:31:14,942 --> 00:31:16,495
DAVID: At least they can be
 miserable

736
00:31:16,529 --> 00:31:18,566
in pleasant surroundings.

737
00:31:18,600 --> 00:31:20,430
MINA [O.C]: This is some fun,
 huh?

738
00:31:20,464 --> 00:31:22,984
TRAVIS: Oh,
I'm having a great time.

739
00:31:23,019 --> 00:31:26,919
MINA: You know,
 me and Max, I think it's over.

740
00:31:26,954 --> 00:31:27,989
TRAVIS: Oh yeah?

741
00:31:28,024 --> 00:31:31,027
MINA: Yeah, he's not my type.

742
00:31:32,131 --> 00:31:34,893
Frankly, I don't know what I was
thinking.

743
00:31:37,274 --> 00:31:38,517
TRAVIS: Oh, really?

744
00:31:38,551 --> 00:31:41,934
MINA: Yeah, I prefer my men more
rugged, stoic,

745
00:31:41,969 --> 00:31:45,282
dark haired and named Travis.

746
00:31:45,317 --> 00:31:47,595
TRAVIS: Funny,
 same way I like my women,

747
00:31:47,629 --> 00:31:49,183
minus the Travis part.

748
00:31:49,217 --> 00:31:51,392
[Giggles]
 MINA: That's funny.

749
00:31:51,426 --> 00:31:53,428
TRAVIS: Thanks,
 I'm here all week.

750
00:31:53,981 --> 00:31:55,499
MINA: Listen.

751
00:31:56,984 --> 00:32:01,057
Don't you ever want a little
 down time?

752
00:32:04,198 --> 00:32:06,510
TRAVIS: Mina,
you're a very attractive woman.

753
00:32:06,545 --> 00:32:08,616
But you can put your clothes
 back on.

754
00:32:08,650 --> 00:32:11,722
MINA: Oh, looks like you broke
 my resistance record.

755
00:32:11,757 --> 00:32:13,724
CARAVAGGIO:
 Sorry to interrupt Travis,

756
00:32:13,759 --> 00:32:16,382
but scanners indicate a class
 seven freighter to port

757
00:32:16,417 --> 00:32:19,178
at 5000 kilometers
 en route to IO.

758
00:32:19,213 --> 00:32:22,009
The captain sends his greeting.
TRAVIS: Thanks Car.

759
00:32:24,218 --> 00:32:25,805
Car,
 are you sure it's a freighter?

760
00:32:25,840 --> 00:32:27,807
CARAVAGGIO:
 Saturn registry confirmed.

761
00:32:27,842 --> 00:32:30,983
TRAVIS: Car, evasive maneuvers.
[Loud Rattle]

762
00:32:32,847 --> 00:32:34,469
PERCY: What the hell was that?

763
00:32:34,504 --> 00:32:36,644
MAX: I honestly have no idea.

764
00:32:37,369 --> 00:32:38,749
[Spaceship Humming]

765
00:32:40,234 --> 00:32:42,236
[Lasers Firing]
[Explosions]

766
00:32:44,617 --> 00:32:46,171
RUDOLPHO: I don't think this
 is Max's doing.

767
00:32:46,205 --> 00:32:47,966
MARCUS: Then who?
 [Rattling]

768
00:32:49,105 --> 00:32:50,589
RUDOLPHO: Somebody bloody
 serious, bridge?

769
00:32:50,623 --> 00:32:51,521
MARCUS: Bridge.

770
00:32:51,555 --> 00:32:52,763
TRAVIS: I'm sorry.

771
00:32:53,350 --> 00:32:54,627
MINA: Me too.

772
00:32:54,662 --> 00:32:56,250
[Zap]

773
00:32:58,735 --> 00:33:01,427
[Explosions]
[Lasers Firing]

774
00:33:03,878 --> 00:33:06,329
[Metal Clattering]
 PERCY: Car?

775
00:33:07,364 --> 00:33:09,470
[Laser Fires]

776
00:33:09,504 --> 00:33:11,506
[Solemn Dramatic Music]

777
00:33:16,856 --> 00:33:18,997
[Tense Dramatic Music]

778
00:33:23,070 --> 00:33:25,072
PERCY: Pity it's a stun.

779
00:33:35,289 --> 00:33:38,016
[Door Creaking]

780
00:33:41,743 --> 00:33:43,193
CALLISTA: What's going on?

781
00:33:43,228 --> 00:33:45,126
PERCY: No idea,
 Car's on the fritz.

782
00:33:45,161 --> 00:33:46,403
Where's Dave?

783
00:33:46,438 --> 00:33:47,853
CALLISTA: Taken care of, Max?

784
00:33:47,887 --> 00:33:49,027
PERCY: Same.

785
00:33:50,338 --> 00:33:51,546
BOTH: Travis.

786
00:33:52,444 --> 00:33:54,446
[Door Opening]

787
00:33:56,620 --> 00:33:57,897
QUIGLEY: Well it's about time.

788
00:33:57,932 --> 00:33:59,589
MINA: Well, I couldn't do
 anything with their AI

789
00:33:59,623 --> 00:34:01,591
keeping us all under constant
 surveillance.

790
00:34:01,625 --> 00:34:03,386
QUIGLEY: Our friends should have
taken care of that.

791
00:34:03,420 --> 00:34:05,595
The AI should be out of the
 picture by now.

792
00:34:05,629 --> 00:34:07,114
Where's the crew?

793
00:34:07,148 --> 00:34:09,323
MINA: Travis is unconscious,
 the rest could be anywhere.

794
00:34:09,357 --> 00:34:11,187
QUIGLEY: Do you want me to tell
our ship to stop firing.

795
00:34:11,221 --> 00:34:13,396
MINA: No, tell them to target
 nonessential systems,

796
00:34:13,430 --> 00:34:14,845
keep the damage minimal.

797
00:34:14,880 --> 00:34:16,847
We've gotta keep this crew
 distracted while we search

798
00:34:16,882 --> 00:34:18,849
for the necklace.

799
00:34:18,884 --> 00:34:21,852
When we find it,
 and we get back on the ship,

800
00:34:21,887 --> 00:34:24,545
we can blast them to
 kingdom come.

801
00:34:28,928 --> 00:34:31,207
QUIGLEY: Team leader,
 this is golden retriever,

802
00:34:31,241 --> 00:34:32,656
come in!

803
00:34:33,209 --> 00:34:34,831
[Alarm Blaring]

804
00:34:34,865 --> 00:34:36,867
CALLISTA: We'll look for him
 later.

805
00:34:38,869 --> 00:34:40,181
PERCY: How are weapons?

806
00:34:40,216 --> 00:34:42,321
CALLISTA: Online and charging.

807
00:34:42,356 --> 00:34:44,358
Oh, come on.

808
00:34:45,324 --> 00:34:47,671
Armed, firing counter measures.

809
00:34:47,706 --> 00:34:50,709
[Explosions]
[Lasers Firing]

810
00:34:56,991 --> 00:35:00,615
CALLISTA: Communication,
scanners, navigation, all down.

811
00:35:00,650 --> 00:35:02,617
Maneuvering thrusters limited.

812
00:35:02,652 --> 00:35:05,517
Environmental and gravitational
still functioning.

813
00:35:05,551 --> 00:35:07,415
Hull integrity decreased,
 but holding.

814
00:35:07,450 --> 00:35:09,969
[Mysterious Music]

815
00:35:10,004 --> 00:35:12,144
[Heavy Breathing]

816
00:35:19,772 --> 00:35:20,842
[Beeping]

817
00:35:20,877 --> 00:35:22,844
MINA: You see any likely
hiding spots?

818
00:35:22,879 --> 00:35:25,847
QUIGLEY: Well,
she had to have been in

819
00:35:25,882 --> 00:35:27,849
one of these
 cells when she did it.

820
00:35:29,230 --> 00:35:30,887
[Door Creaking]

821
00:35:31,957 --> 00:35:33,614
MAX: What's happening?

822
00:35:33,648 --> 00:35:36,824
DAVID: I think Mina has
double crossed us.

823
00:35:36,858 --> 00:35:38,274
MAX: Typical.

824
00:35:38,308 --> 00:35:39,861
QUIGLEY: You know,
 she might have been able to

825
00:35:39,896 --> 00:35:43,693
reach through the cell,
to the wall behind.

826
00:35:43,727 --> 00:35:45,936
There's some removable
 panels back here.

827
00:35:48,905 --> 00:35:52,840
[Loud Rattles in Distance]

828
00:35:52,874 --> 00:35:54,876
[Tense Music]

829
00:35:57,879 --> 00:35:59,329
TRAVIS: Travis to bridge.

830
00:36:01,331 --> 00:36:02,298
Damn.

831
00:36:06,440 --> 00:36:08,407
[Sighs]
 TRAVIS: Great.

832
00:36:08,442 --> 00:36:09,615
[Loud Rattle]

833
00:36:09,650 --> 00:36:10,858
MARCUS: That hit us a deck
 below.

834
00:36:10,892 --> 00:36:12,653
RUDOLPHO: There goes
 the swimming pool.

835
00:36:14,241 --> 00:36:15,690
Oh, well, well, well.

836
00:36:15,725 --> 00:36:17,761
You lads out for an evening
 constitutional?

837
00:36:17,796 --> 00:36:21,420
MAX: It's all Mina's fault,
 she double crossed us.

838
00:36:21,455 --> 00:36:23,871
MARCUS: No, she double crossed
 us, she triple crossed you.

839
00:36:23,905 --> 00:36:25,528
MAX [O.C]: Whatever.

840
00:36:25,562 --> 00:36:27,219
Are you going to help us
stop her?

841
00:36:27,254 --> 00:36:29,256
RUDOLPHO: No, I think the brig's
the place for you two.

842
00:36:31,327 --> 00:36:32,051
[Yelling]

843
00:36:32,086 --> 00:36:33,501
[Rudolpho Groaning]

844
00:36:50,484 --> 00:36:52,486
[Beeping]
 [Loud Rattle]

845
00:36:53,694 --> 00:36:55,489
[Rapid Beeping]

846
00:37:11,677 --> 00:37:12,920
[Heavy Breathing]

847
00:37:14,784 --> 00:37:16,786
MINA: Okay, shuttle bay.

848
00:37:17,476 --> 00:37:19,478
[Dramatic Music]

849
00:37:24,449 --> 00:37:26,451
[Alarm Blaring]

850
00:37:38,911 --> 00:37:39,912
RUDOLPHO: Come on, Maxy.

851
00:37:41,120 --> 00:37:44,331
MARCUS: Come on Doc,
 let's get rid of ya.

852
00:37:44,365 --> 00:37:45,642
QUIGLEY: Team leader!

853
00:37:45,677 --> 00:37:47,334
We are approaching
 the shuttle airlock.

854
00:37:47,368 --> 00:37:49,715
We should be in, in minutes.

855
00:37:50,958 --> 00:37:52,546
TRAVIS: Nice try fellas.

856
00:38:07,699 --> 00:38:09,148
MINA: Wanna neck?

857
00:38:09,183 --> 00:38:10,874
TRAVIS: Some other time, maybe.

858
00:38:10,909 --> 00:38:12,945
CARAVAGGIO: Have I missed out
 on some fun?

859
00:38:12,980 --> 00:38:14,015
CALLISTA: Damage report please.

860
00:38:14,050 --> 00:38:15,707
CARAVAGGIO: Our reactor has
 been hit.

861
00:38:15,741 --> 00:38:18,951
I am reading a serious
 radiation leak.

862
00:38:18,986 --> 00:38:20,367
CALLISTA: It's about time,
 where are the others?

863
00:38:20,401 --> 00:38:21,713
TRAVIS: Bad guys are all in
 the brig.

864
00:38:21,747 --> 00:38:22,955
CALLISTA: Good,
 but we have a problem here.

865
00:38:22,990 --> 00:38:24,440
PERCY [O.C]: The reactor took
 a big hit.

866
00:38:24,474 --> 00:38:25,751
TRAVIS: How bad?

867
00:38:25,786 --> 00:38:26,959
PERCY: It's spewing radiation,
 but functioning.

868
00:38:26,994 --> 00:38:28,098
I slowed the leak down a bit,

869
00:38:28,133 --> 00:38:30,860
but the power's
 dropping off anyway.

870
00:38:30,894 --> 00:38:32,965
[Loud Rattle]

871
00:38:33,000 --> 00:38:35,002
[Lasers Firing]

872
00:38:37,004 --> 00:38:38,074
TRAVIS: Car,
 how are we holding up?

873
00:38:38,108 --> 00:38:39,731
CARAVAGGIO: We have several hull
breeches in progress

874
00:38:39,765 --> 00:38:41,905
and we appear to be outgunned.

875
00:38:41,940 --> 00:38:45,944
I'd estimate a 24 percent chance
of survival.

876
00:38:46,600 --> 00:38:48,049
[Explosion]

877
00:38:50,949 --> 00:38:51,915
TRAVIS: Power up the
 particle beam.

878
00:38:51,950 --> 00:38:53,400
CALLISTA:
They'll see that coming.

879
00:38:53,434 --> 00:38:54,918
And then they'll have 30 seconds
of target practice.

880
00:38:54,953 --> 00:38:55,988
TRAVIS: Then increase the
 radiation leak.

881
00:38:56,023 --> 00:38:57,162
CALLISTA: Increase it?

882
00:38:57,196 --> 00:38:59,544
PERCY: Scanners hate radiation.

883
00:39:00,890 --> 00:39:02,995
TRAVIS: Car, bring us about,
 slowly.

884
00:39:03,030 --> 00:39:04,514
CARAVAGGIO: Certainly.

885
00:39:04,963 --> 00:39:06,930
[Deep Buzzing]

886
00:39:08,725 --> 00:39:09,968
CALLISTA [O.C]:
 Cannon's charged.

887
00:39:10,727 --> 00:39:11,625
TRAVIS: Fire!

888
00:39:11,659 --> 00:39:13,937
[Lasers Firing]
[Explosion]

889
00:39:20,461 --> 00:39:21,773
[Percy Clapping]

890
00:39:21,807 --> 00:39:23,913
PERCY: That was quite fun,
 quite amusing.

891
00:39:26,156 --> 00:39:27,744
TRAVIS: So, Dave,

892
00:39:27,779 --> 00:39:29,021
did you get even?

893
00:39:29,056 --> 00:39:31,023
CALLISTA: What do you think?

894
00:39:32,887 --> 00:39:34,889
[Soft Music]

895
00:39:44,209 --> 00:39:45,210
CALLISTA: Boo.

896
00:39:45,244 --> 00:39:46,798
TRAVIS: Hi.

897
00:39:47,833 --> 00:39:49,110
CALLISTA: I just thought
I'd come down

898
00:39:49,145 --> 00:39:50,974
and soak up some of
 the ambiance.

899
00:39:51,009 --> 00:39:52,010
TRAVIS: Me too.

900
00:39:53,011 --> 00:39:54,461
We should eat in here
 more often.

901
00:39:54,495 --> 00:39:56,773
CALLISTA: Yeah, we should.

902
00:39:56,808 --> 00:39:58,844
TRAVIS: You can wear that dress.

903
00:39:58,879 --> 00:40:00,984
CALLISTA: I only wear it for
 special occasions.

904
00:40:03,884 --> 00:40:05,748
Interesting reading?

905
00:40:05,782 --> 00:40:09,199
TRAVIS: Yeah, this Nora McCallum
was quite a feisty woman.

906
00:40:09,234 --> 00:40:11,995
It seems she got a little tipsy
at dinner one night,

907
00:40:12,030 --> 00:40:13,859
confronted her husband
 about his affairs

908
00:40:13,894 --> 00:40:15,654
and he had her
 thrown in the brig.

909
00:40:15,689 --> 00:40:17,000
CALLISTA: A man's world
even then.

910
00:40:17,035 --> 00:40:19,037
TRAVIS: Gotta problem with that?

911
00:40:20,141 --> 00:40:21,039
CALLISTA: So do you think the
 necklace

912
00:40:21,073 --> 00:40:22,661
is all it's cracked up to be?

913
00:40:22,696 --> 00:40:23,904
TRAVIS: Do I think it's worth
 10 billion credits?

914
00:40:23,938 --> 00:40:25,595
No.

915
00:40:25,630 --> 00:40:28,460
Do I think it has the potential
to be a powerful energy source?

916
00:40:28,495 --> 00:40:31,498
Wish it were, but I'm a realist.

917
00:40:31,532 --> 00:40:33,914
Nothing in life's that easy.

918
00:40:33,948 --> 00:40:35,156
RUDOLPHO [O.C]: There you are.

919
00:40:36,019 --> 00:40:37,918
I gotta hand it to that Mina.

920
00:40:37,952 --> 00:40:40,783
She plants Quigley onboard,
 greases a gunship

921
00:40:40,817 --> 00:40:43,095
and puts on over on Max,
that's my kinda gal.

922
00:40:43,130 --> 00:40:44,649
TRAVIS: I'm surprised you
 didn't propose.

923
00:40:44,683 --> 00:40:45,960
RUDOLPHO: I did.

924
00:40:45,995 --> 00:40:47,652
When she's finished her
 seven consecutive sentences

925
00:40:47,686 --> 00:40:49,861
for fraud,
 she might give me a call.

926
00:40:49,895 --> 00:40:51,587
CALLISTA: Better hope she
 ages well.

927
00:40:51,621 --> 00:40:53,623
[Chuckles]

928
00:40:55,004 --> 00:40:56,695
RUDOLPHO: Hey, hey, hey,
careful with that.

929
00:40:56,730 --> 00:40:58,939
That's our future
 you're playing with.

930
00:40:58,973 --> 00:41:00,319
TRAVIS: Car did his molecular
analysis?

931
00:41:00,354 --> 00:41:01,528
MARCUS: Uh, yes.

932
00:41:02,114 --> 00:41:03,599
RUDOLPHO [O.C]: And?

933
00:41:03,633 --> 00:41:04,910
MARCUS: Car says it's something
called cubic zirconia,

934
00:41:04,945 --> 00:41:07,913
worth about oh, 37 credits.

935
00:41:07,948 --> 00:41:10,916
Which also negates his theory
 about the energy source.

936
00:41:10,951 --> 00:41:12,331
TRAVIS: Poor Nora.

937
00:41:12,366 --> 00:41:15,127
RUDOLPHO: Poor Nora,
 what about poor Rudolpho?

938
00:41:15,162 --> 00:41:16,681
My dreams are crushed.

939
00:41:16,715 --> 00:41:17,889
PERCY: You'll get over it.

940
00:41:17,923 --> 00:41:19,891
TRAVIS: Come on Rudy, it's
 much more fun to dream about

941
00:41:19,925 --> 00:41:21,789
being rich than actually
be rich.

942
00:41:21,824 --> 00:41:23,826
CALLISTA:
You're right about that.

943
00:41:25,034 --> 00:41:26,276
RUDOLPHO: Still,
it must have been wonderful, eh?

944
00:41:26,311 --> 00:41:28,244
MARCUS: Yeah, well,
 in some ways it still is.

945
00:41:28,278 --> 00:41:29,866
RUDOLPHO: Oh yeah,
 and how's that?

946
00:41:29,901 --> 00:41:31,903
MARCUS: Well,
 we still have each other.

947
00:41:33,042 --> 00:41:34,043
RUDOLPHO: Yeah.

948
00:41:39,048 --> 00:41:42,016
DR. SCHOFIELD: We're told your
 team gets results.

949
00:41:42,051 --> 00:41:43,811
ANNOUNCER: On the next
 Starhunter.

950
00:41:43,846 --> 00:41:45,917
BARTENDER: Try not to break
 anything this time.

951
00:41:45,951 --> 00:41:47,159
TRAVIS: Us?

952
00:41:47,194 --> 00:41:48,367
ALRICK: Who are you?

953
00:41:48,402 --> 00:41:50,197
RUDOLPHO: I'm your worst
nightmare.

954
00:41:50,231 --> 00:41:52,164
I'm a big man, in the toliet,
 with a gun.

955
00:41:57,929 --> 00:41:59,378
MARCUS: Can you tell me what
 I'm looking at?

956
00:41:59,413 --> 00:42:00,863
CARAVAGGIO: The image on your
 screen

957
00:42:00,897 --> 00:42:04,591
appears to be a residual
form of negative energy.

958
00:42:04,625 --> 00:42:05,902
[Dramatic Music]

959
00:42:05,937 --> 00:42:07,939
[Zapping]

960
00:42:08,974 --> 00:42:09,941
TRAVIS: Come on!

961
00:42:12,046 --> 00:42:14,842
[Closing Theme Music]